This six-week course will introduce you to the merits of both traditional oils and fast-drying alkyds. We will experiment with different techniques, gradually increasing skill levels. Short exercises using different types of brushes and palette knives will build up to painting larger more complex pieces. The demonstrations will reveal how to paint elements within a landscape but by the end of the course you will have the tools and knowledge to paint whatever you like.
NEXT COURSE: Starts Thursday 4th October - 8th November, 10-1pm at Storrington Village Hall, 59 West Street, Storrington, RH20 4DZ. If you are interested in booking a place, please contact Kate.
COST: £198 for 6 classes of 3 hours
Brief Course Outline
Week 1 - Introduction to oil paints, brushes, supports, palettes and thinners. Paint a still life to try different paints - edges and form, dark to light, fat over lean.
Week 2 - Underpainting with oils or acrylics; colour theory, pigment types, colour mixing.
Week 3 - Elements in composition - planning your paintings for balance and interest.
Week 4 - Correcting mistakes, scraping back, tonking, ragging and scraffito.
Week 5 - Mark making - impasto, knife painting, selecting your brushes and how best to use them.
Week 6 - Tips on painting portraits, alla prima and glazing, varnishing and troubleshooting.
Bring with you any painting materials you may have as in the first lesson we will be looking at everything you might need for the course including small samples of the alkyd paints for you to try. However, if you would like to buy some things beforehand I recommend A4-size (or preferably bigger) oil paper or canvas boards; artist quality oil paints*; a wooden palette or tear-off palettes; a selection of sable, synthetic and hog hair brushes (rounds, flats and filberts plus a soft fan brush for blending); palette knives; a board or table easel to lean on; two jars for thinners; Zest-it dilutant and brush cleaner; charcoal or chalk for drawing; masking tape; kitchen towel or lint-free rags; apron; pictures for inspiration and newspaper or something to protect your wet painting on the way home. Please wear old clothes.
* When buying paints it is always prudent to buy from quality manufacturers as cheap, student quality paints contain more fillers and can put you off the medium before you have even started. It is better to buy a few decent quality paints and mix the colours you need, rather than a large selection of colours you will never use. I like working with Winsor & Newton's Griffin Alkyds because they are fast drying, ready to paint over the following day and dry to similar sheen levels. Some people prefer the more traditional slower-drying oils of which I would recommend paints made by Daler Rowney and Micheal Harding amongst others. Basic colours should include a warm and cool version of each of the three primaries ie. Cadmium Red, Crimson Red, Cadmium Yellow, Lemon Yellow, Ultramarine Blue, Cerulean Blue, plus Titanium White and Mars Black. You may also wish to add in some pre-mixed colours like Hookers Green, if you like painting landscapes or Flesh Tint if you want to paint people. Some of the earth colours like Raw Umber and Burnt Umber, Yellow Ochre, Raw Sienna and Burnt Sienna are also very useful to have in your paintbox. We will be using Zest-it as a thinner and also for cleaning brushes instead of turps to reduce fume levels.